REPRESENTATION OF TIKTOK IN U.S. NEWS AFTER THE NO TIKTOK ON GOVERNMENT DEVICES ACT Page: 1-21

RAPE CULTURE AND RAPE MYTHS ON FACEBOOK FANPAGE OF BILLBOARD: THE CASE OF KESHA AND DR. LUKE Page: 22-37

A HISTORY OF THE SELF-CONTRADICTORY NATIONALISM OF THE U.S. Page: 38-57

POVERTY AS A CONCERN FOR HUMAN SECURITY: VIETNAM’S POLICIES ON MULTI-DIMENSIONAL POVERTY Page: 58-73

AN ANALYSIS OF THE “HOSPITAL PLAYLIST 2” MOVIE POSTERS: A VISUAL GRAMMAR APPROACH Page: 74-89

THE REPRESENTATION OF THE MONG ETHNIC GROUP IN THE VIETNAMESE TV DRAMA SERIES “MÙA XUÂN Ở LẠI” (2020) Page: 90-112

INTERSEMIOTIC THEORIES: TOWARDS A FRAMEWORK FOR THE ANALYSIS OF THE INTERPLAY OF LANGUAGE AND VISUAL IMAGES IN MOVIE POSTERS Page: 113-127

CONCEPTUAL METAPHORS OF ARTIFICIAL INTELLIGENCE AND AI DEVELOPMENT IN THE GUARDIAN NEWSPAPER Page: 128-141

A MAN IN ROMANCE: THE PORTRAYAL OF THE MALE PROTAGONIST IN NETFLIX’S SERIES “BRIDGERTON” SEASON 1 (2020) Page: 142-159

FOSTERING SELF-AWARENESS AND SELF-LOVE FOR MINDSET TRANSFORMATION AND PERSONAL GROWTH: INSIGHTS FROM THE HEALING JOURNEY OF A LITERATURE CHARACTER Page: 160-180

“LA HAINE”: CINEMATIC INSIGHTS INTO PERIPHERY INEQUITY AND FRENCH NATIONAL IDENTITY Page: 181-199